Montag, 16. Dezember 2013

John Zorn: KristallNacht ...

>> John Zorn's Kristallnacht Track 1
>> http://www.youtube.com/watch?v=rn1pERMiK3s
>
> http://en.wikipedia.org/wiki/Kristallnacht_%28album%29
> http://www.tzadik.com/volume.php?VolumeID=157
>

tnx2u

>> > John Zorn (ed.): Arcana V: Musicians on Music, Magic & Mysticism (2010)
>> > http://monoskop.org/log/?p=10035
>> > For centuries musicians have tapped into mysticism, magic and alchemy, embracing
>> > ritual, spell, incantation and prayer, and experimenting with esoteric
>> > approaches to harmony, pitch and vibration. In recent decades, avant-garde
>> > musicians have rediscovered these overlaps, as occultism has reinvented
>> > itself--through Buddhist and other Asian influences, Thelema and Chaos Magic--to
>> > accommodate cultural strains from psychedelica through [...]
>> >
>> >
>> >>>>>>
>> >>>>>>> Brennende Synagogen, verwüstete Läden und Wohnungen, mißhandelte
>> >>>>>>> Menschen: Dies ereignete sich in Deutschland, bei dem verharmlosend
>> >>>>>>> "Kristallnacht" genannten Pogrom gegen Juden in der Nacht vom 09. auf
>> >>>>>>> den 10.11.1938. John Zorn - er ist selbst Jude - befaßt sich in einer...
>> >>>>>>>
>> >>>>>>>
>> >>>>>>> Recorded in 1993, Kristallnacht is Zorn's most powerful and
>> >>>>>>> unforgettable
>> >>>>>>> composition. This premiere work of Radical Jewish Culture features a
>> >>>>>>> virtuoso
>> >>>>>>> ensemble of creative Jewish musicians. Seven movements tell the story of
>> >>>>>>> the
>> >>>>>>> Jewish experience, survival through the Holocaust, the building of a
>> >>>>>>> Jewish
>> >>>>>>> state, diaspora Jewry and its attraction and resistance to assimilation,
>> >>>>>>> the rise
>> >>>>>>> of Jewish nationalism and the ultimate problems of fanatical
>> >>>>>>> religiousfundamentalism. Seemlessly combining 12 tone classical
>> >>>>>>> composition,
>> >>>>>>> improvisation, noise and klezmer, this is a work not to be missed by
>> >>>>>>> anyone
>> >>>>>>> interested in new trends in modern music. > Mark Feldman: violin
>> >>>>>>> Marc Ribot: guitar
>> >>>>>>> Anthony Coleman: keyboards
>> >>>>>>> Mark Dresser: bass
>> >>>>>>> William Winant: percussion
>> >>>>>>> (on Shtetl and Tzfia)
>> >>>>>>> David Krakauer: clarinet, bass clarinet
>> >>>>>>> Frank London: trumpet
>> >>>>>>> aus
>> >>>>>>> http://www.tzadik.com/ ... s.o.
>> >>>>>>>
>> >>>>>>>
>> >>>>>>> John Zorn is an American composer and saxophone player. He owns his
>> >>>>>>> own record company (called Tzadik), so he's free to do whatever he
>> >>>>>>> wants.
>> >>>>>>> He's used this freedom to write and record dozens of strange and
>> >>>>>>> beautiful
>> >>>>>>> albums. By the end of the 1990s, he was releasing at least six per year.
>> >>>>>>> He is inspired by other artists and different musical styles. He has a
>> >>>>>>> special
>> >>>>>>> attraction to underground artists and musical styles that are extremely
>> >>>>>>> loud,
>> >>>>>>> wild, or creative. These influences can lead to a single song, an album,
>> >>>>>>> or a
>> >>>>>>> series of albums. His interest in cartoon music, for example, has led
>> >>>>>>> him
>> >>>>>>> to
>> >>>>>>> compose a string quartet of cartoon themes, cartoon music for solo
>> >>>>>>> piano,
>> >>>>>>> and the soundtrack for an animated TV show.
>> >>>>>>> His other interests include Jewish music, improvisation, film
>> >>>>>>> soundtracks,
>> >>>>>>> and musical hybrids (combining more than one style in the same song). In
>> >>>>>>> some cases, he'll write a tribute to a specific artist, trying to
>> >>>>>>> capture
>> >>>>>>> the spirit
>> >>>>>>> of their work in a single song. Some of his work is very aggressive and
>> >>>>>>> abstract - he likes to use noise as an element in composing.
>> >>>>>>> It's hard to keep up with Zorn. He puts out a lot of music, but he
>> >>>>>>> doesn't >>>>>>> do
>> >>>>>>> many interviews. There are no books about him.
>> >>>>>>>

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